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9783836507066 English 3836507064 Against realism: Synthesis of form and feeling May 1884 saw the publication in Paris of a fin de siècle novel that became a perverse sensation on the European cultural scene. A Rebours (translated both as Against the Grain and Against Nature) by Joris-Karl Huysmans was written as a seductive textbook of decadence, an antidote to the "banality" of the dominant literary styles, Naturalism and Realism. Symbolism, whose influence would endure well into the modernist era, was an artistic religion-substitute, a spiritually charged cult of beauty. A Symbolist picture or sculpture is deliberately mysterious. In place of intellectual comprehension, the work seeks to have the beholder experience its esoteric depths like a vision. It is no wonder that Symbolists created some of the most fascinating artworks of their age. Featured artists: Arnold Böcklin, Edward Burne-Jones, Puvis de Chavannes, Thomas Cole, Jean Delville, Maurice Denis, James Ensor, George Frampton, Paul Gauguin, Ferdinand Hodler, Ernst Josephson, Fernand Khnopff, Gustav Klimt, Max Klinger, Georg Kolbe, Frantisek Kupka, Frederick Lord Leighton, Jacek Malczewski, Hans von Marees, James Abbot McNeill Whistler, Piet Mondrian, Gustave Moreau, Edvard Munch, Néstor, William Degouve de Nunques, Pablo Picasso, Odilon Redon, Félicien Rops, Dante Gabriel Rossetti, Giovanni Segantini, Charles van der Stappen, Franz von Stuck, Félix Vallotton, Elihu Vedder, and Georg Frederick Watts About the Series: Each book in TASCHEN's Basic Genre Series features: a detailed illustrated introduction plus a timeline of the most important political, cultural and social events that took place during that period a selection of the most important works of the epoch, each of which is presented on a 2-page spread with a full-page image and with an interpretation of the respective work, plus a portrait and brief biography of the artist approximately 100 colour illustrations with explanatory captions, Emotional intelligence: A synthesis of form and feeling First applied to the poems of Stephane Mallarme and Paul Verlaine in 1886, the term symbolist was soon applied to the visual arts where a realistic depiction of the natural world gave way toimaginary dream scenes of psychological, sexual, and mystical content.Symbolism was a broad international phenomenon but particularly present in France, where painters such as Gustave Moreau and Odilon Redon turned their back on realism, naturalism, and impressionism to populate their canvases with esoteric, often erotic, visions. In place of Monet's light-suffused landscapes or the frank working class subjects of Courbet, the Symbolists turned to figures fromliterature, the Bible, and Greek mythologyto express experiences of love, fear, anguish, death, sexual awakening, and unrequited desire.With featured work from Edward Burne-Jones, Puvis de Chavannes, Gustav Klimt, James Abbot McNeill Whistler, Gustave Moreau, Odilon Redon and many more, this book introduces Symbolism s great reach, intensity, and influence. About the Series: Each book in TASCHEN's Basic Genre series features: a detailed illustrated introduction plus a timeline of the most important political, cultural and social events that took place during that period a selection of the most important works of the epoch, each of which is presented on a 2-page spread with a full-page image and with an interpretation of the respective work, plus a portrait and brief biography of the artist approximately 100 colour illustrations with explanatory captions "
9783836507066 English 3836507064 Against realism: Synthesis of form and feeling May 1884 saw the publication in Paris of a fin de siècle novel that became a perverse sensation on the European cultural scene. A Rebours (translated both as Against the Grain and Against Nature) by Joris-Karl Huysmans was written as a seductive textbook of decadence, an antidote to the "banality" of the dominant literary styles, Naturalism and Realism. Symbolism, whose influence would endure well into the modernist era, was an artistic religion-substitute, a spiritually charged cult of beauty. A Symbolist picture or sculpture is deliberately mysterious. In place of intellectual comprehension, the work seeks to have the beholder experience its esoteric depths like a vision. It is no wonder that Symbolists created some of the most fascinating artworks of their age. Featured artists: Arnold Böcklin, Edward Burne-Jones, Puvis de Chavannes, Thomas Cole, Jean Delville, Maurice Denis, James Ensor, George Frampton, Paul Gauguin, Ferdinand Hodler, Ernst Josephson, Fernand Khnopff, Gustav Klimt, Max Klinger, Georg Kolbe, Frantisek Kupka, Frederick Lord Leighton, Jacek Malczewski, Hans von Marees, James Abbot McNeill Whistler, Piet Mondrian, Gustave Moreau, Edvard Munch, Néstor, William Degouve de Nunques, Pablo Picasso, Odilon Redon, Félicien Rops, Dante Gabriel Rossetti, Giovanni Segantini, Charles van der Stappen, Franz von Stuck, Félix Vallotton, Elihu Vedder, and Georg Frederick Watts About the Series: Each book in TASCHEN's Basic Genre Series features: a detailed illustrated introduction plus a timeline of the most important political, cultural and social events that took place during that period a selection of the most important works of the epoch, each of which is presented on a 2-page spread with a full-page image and with an interpretation of the respective work, plus a portrait and brief biography of the artist approximately 100 colour illustrations with explanatory captions, Emotional intelligence: A synthesis of form and feeling First applied to the poems of Stephane Mallarme and Paul Verlaine in 1886, the term symbolist was soon applied to the visual arts where a realistic depiction of the natural world gave way toimaginary dream scenes of psychological, sexual, and mystical content.Symbolism was a broad international phenomenon but particularly present in France, where painters such as Gustave Moreau and Odilon Redon turned their back on realism, naturalism, and impressionism to populate their canvases with esoteric, often erotic, visions. In place of Monet's light-suffused landscapes or the frank working class subjects of Courbet, the Symbolists turned to figures fromliterature, the Bible, and Greek mythologyto express experiences of love, fear, anguish, death, sexual awakening, and unrequited desire.With featured work from Edward Burne-Jones, Puvis de Chavannes, Gustav Klimt, James Abbot McNeill Whistler, Gustave Moreau, Odilon Redon and many more, this book introduces Symbolism s great reach, intensity, and influence. About the Series: Each book in TASCHEN's Basic Genre series features: a detailed illustrated introduction plus a timeline of the most important political, cultural and social events that took place during that period a selection of the most important works of the epoch, each of which is presented on a 2-page spread with a full-page image and with an interpretation of the respective work, plus a portrait and brief biography of the artist approximately 100 colour illustrations with explanatory captions "